Hölderlins Traum
by Hoelderlin
Artist:
Hoelderlin
Label:
Pilz (2)
Catalog#:
20 21314-5
Format:
Vinyl
Country:
Germany
Released:
1972
| Tracklist | |||
| A1 | Waren Wir | 4:53 | |
| A2 | "Peter" | 2:52 | |
| A3 | Strohhalm | 2:20 | |
| Notes: |
Sitar - Peter Bursch |
||
| A4 | Requiem Für Einen Wicht | 6:32 | |
| B1 | Erwachen | 4:20 | |
| Notes: |
Recorder - Walter Westrupp |
||
| B2 | Wetterbericht | 6:34 | |
| B3 | Traum | 7:20 | |
Credits
Artwork By - Helmut Friz
Bass Guitar, Acoustic Guitar, Vocals - Peter Käseberg
Cello, Flute [Transverse], Acoustic Guitar, Piano, Organ, Mellotron - Joachim von Grumbkow
Drums, Percussion - Michael Bruchmann
Engineer [Sound] - Dieter Dierks
Guitar - Christian von Grumbkow
Lyrics By, Music By - Christian von Grumbkow
Photography - Victor
Producer - Rolf-Ulrich Kaiser
Violin, Viola, Piano, Flute - Christoph Noppeney
Vocals - Nanny de Ruig
Notes
Recorded January 1972 at Tonstudio Dierks in Stommeln.
Comes in laminated gatefoldcover.
Strawberry Bricks Entry:
Formed in 1970, Hoelderlin initially occupied a unique space in German rock music, combining the influences of British folk with a musical classicism, obviously a nod to their namesake, the 19th century German poet Friedrich Hoelderlin. Formed in Wuppertal, the core of the band included the Grumbkow brothers, Christian and Joachim, and Christian's wife, Nanny de Ruig on vocals. Longtime members Christoph "Nopps" Noppeney on viola and Michael Bruchmann on drums also joined at this point, and story has it that after just a few gigs (and at the behest of German folkies Witthüser & Westrupp) krautrock svengali Rolf- Ulrich Kaiser offered the band a chance to record an album. Their debut, Hoelderlin's Traum, was released on the Pilz label. Primarily an acoustic album in a folk tradition, it is a record of evocative beauty, featuring the German language vocals of de Ruig. "Waren Wir" opens gently, but the Mellotron-led section under the quick beat highlights the electricity the band could generate. The following "Peter" is more conventional folk, yet the baroque melody of "Erwachen" adds a certain formality and classicism to the mix. Even over a short six minutes "Requiem fur Einen Wicht" showcases the band's extensive composition skills, while the quite acoustic "Wetterbericht" again features the melancholic beauty of de Ruig's voice. The instrumental "Traum" is another electric and eclectic number, pointing in the direction the band would eventually follow. The album has (rightly so) achieved cult status since its release. But relations with Pilz would dog the band for the next few years to come.