The Tony Williams Lifetime - Emergency! (Polydor US | May 1969)

Taken from The Strawberry Bricks Guide to Progressive Rock, here is an Album of the Week to enjoy and discuss.
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The Tony Williams Lifetime - Emergency! (Polydor US | May 1969)

Post by webmaster » Mon May 21, 2018 6:36 am

Just 17 years old when he joined Miles Davis's quintet in 1962, drummer Anthony "Tony" Williams had spent his earliest years playing in the clubs of Boston. His debut as a band leader was the 1964 release Life Time for the Blue Note label. By the end of the decade though, Williams was headed in a completely different direction. New York City was fertile ground at the time and seeds of jazz fusion were being sown. Williams (among many others) jammed with Jimi Hendrix, and there's little doubt of the guitarist's influence on what would follow. With guitarist John McLaughlin and organist Larry Young, The Tony Williams Lifetime set out in May 1969 to record what would become one of the landmark jazz-rock albums, Emergency!. Although the record suffers from a sub-standard recording, it's one of the heaviest records ever-Williams's post-bop beat doesn't swing, it rocks. And of course, jazz purists hated it. Like a soloist, what's most striking about Williams's playing is that he's all over the drum kit, playing lead with it. His take at "singing" however is a love-hate affair. For my taste, it's as experimental as the rest of the album, and full of black soul; just listen to his ramblings on McLaughlin's spacey "Where." The pace slows for "Via the Spectrum Road" before McLaughlin previews the direction of his next group on the ensuing "Spectrum." Both McLaughlin's and Young's performances are exemplary; the guitarist's rock-toned guitar and the swirling chords of the organist's Hammond B3 on "Sangria for Three" are full of overdrive. McLaughlin's mate (and ex-Cream bassist) Jack Bruce joined for the group's next album Turn It Over in 1970. However, creative tensions tore the band apart, and Williams and Young went on to record two comparably disappointing albums with others. In the mid-70s, Williams would form The New Tony Williams Lifetime and release another two albums of more predictable jazz fusion. Others may have received more attention for their work contemporaneous to the original Lifetime, but make no doubt: fusion all starts here.

"Always ready with the ray of sunshine"

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